Yoshi Sodeoka explores a multitude of media and platforms which comprises video, gifs, and print. His neo-psychedelic style stems from his love of and background in music. Noise, punk, and metal all influenced his development of complex, mind-altering visuals. His practice involved the use of digital video feedback, footage samples and online imagery, and his videos’ audio soundscapes are often the result of intense collaborative work.

Building an all-encompassing career, he reached many artistic fields including fine art, music (Psychic TV, Tame Impala, Oneohtrix Point Never, Yeasayer, Beck, The Presets, Max Cooper), editorial illustration (New York Times, Wired Magazine, The Atlantic, M.I.T Technology Review) fashion (Sandro paris, Wad Magazine, Adidas, Nike), and advertising (Apple, Samsung). In 2013, he also initiated Undervolt & Co, a label to distribute the work of internationally-renown video artists.

Sodeoka’s work has been exhibited internationally, including at Centre Pompidou, Tate Britain, the Museum of Modern Art, the Cleveland Museum of Art, Deitch Projects, La Gaîté lyrique, the Museum of Moving Image, the Baltimore Museum of Art, and Laforet Museum Harajuku.

His artworks are in the permanent collections of the Whitney Museum of American Art, the Museum of the Moving Image as well as the San Francisco Museum of Modern Art.



Contact:

info@sodeoka.com


Or click the icon below to email directly on this page.

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Please send an email for any inquiries about gallery and museum exhibitions, screenings and press.

Also available for commissions for music videos, editorial illustrations, feature film motion graphics and art direction, live concert visuals, album artwork and more.

Some of the art prints are available for licensing. Please inquire for more information.




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CV



Selected Press (in no particular order):


It’s Nice That #2
Sedition
Mache Digital
Massage Magazine JP
Artslant
ISO50
The Creators Project #1
The Creators Project #2
The Creators Project #3
TRIANGULATION
Dazed
It's Nice That #1 
But Does It Float




Representation in the United States:

Jonathan Feldman


Massif Management